![]() But even though there are so many differences in culture, language, and presentation style, they are both trying to reach the same goal: gain popular domestic support and backup for their soldiers, regardless of their tasks or missions. After being on the losing side of World War II, Japan has developed its own unique way of distributing and presenting the Japanese Self-Defense Forces (JSDF) in a civilian context, with the use of anime movies and series.īoth sides, as this article argues, have different ways in presenting their armed forces to a civilian audience. This complex will be compared with Japan, which can be seen as its counterpart when it comes to military history. The United States, as one of the victors of World War II and as a still uncontested military power in the globalized world, has developed an impressive industrial-cinematic complex with a startling-and sometimes even tense-history of cooperation, which will be shortly explained in the subsequent section. The reason for choosing such different examples lies in the same logic that they use, as this article will illustrate during the analysis. The examples differ not only from their modus operandi-as on the U.S.-North American side the material analyzed will be a mainstream cinematic movie ( Transformers 4: Age of Extinction), and on the Japanese side an animated series ( Gate: Thus the JSDF Fought There!)-but also on the historical background of these two opposite cases. The scope of this article is to present selected case examples of representations of different armed forces.
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